![]() Shortly afterwards Mick became an in-house audio designer at Pandemic Studios and spent a great deal of time with Death Rays and Anal Probes whilst working on Destroy All Humans! 2: Make War Not Love. Mick scored his first published game, Hotdog King, at the age of 17 and while the rest of the development got drunk at the release party Mick sipped orange juice. ![]() ![]() Soon after he was playing five gigs a weekend, teaching and writing music whilst still in high school. ![]() His father, an avid Guitarist, Luther and music-lover, gave the young Mick Gordon the desire to pick up a Guitar at the age of 12. It is this direction that gives him the ability to create distinctive textures and memorable themes that not only compliment and enhance the numerous projects that he’s worked on but are also recognized and praised by the people who enjoy them. Known for his unbridled enthusiasm and tireless work ethic, Mick has been enjoying the wonderful world of video game sound for most of his adult life with his musical noises attracting companies such as Electronic Arts, THQ, Marvel Studios, Warner Bros, Paramount Pictures, Nickelodeon and Sony Entertainment.Īn incredibly diverse composer, Mick treats music and sound design the same – “music is just sound design with rules”. ![]()
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